Genee Coreno (Writer/ Director) Directing credits include: Madge Love (Writer/Director), The Hopelessly Hopeless Story of All Good Girls, Descendants of the Chalice, Dutchman, The Future is in Eggs, 4.48 Psychosis, A Midsummer Night's Dream, and The Skriker. Genee holds a M.A. in Performance Studies from NYU and a B.A. in Drama Studies from SUNY Purchase. Training includes Theater Mitu, The Song of the Goat, and SITI Company. Genee served as Company Manager to The Public Theater and Big Dance Theater; Artistic Associate, Line Producer, and Assistant Director at Ripe Time and Marketing Intern at Third Rail Projects.
Kelsey Lurie (Performer) has been collaborating with what is now known as Fringe and Fur since 2011. They were last seen on stage performing in Fringe and Fur’s The Hopelessly Hopeless Story of All Good Girls at The Brick in Brooklyn last February (a few short weeks before theaters shut down.) Kelsey is grateful to have studied Theater at SUNY Purchase alongside many collaborators in Fringe and Fur. They’re currently pursuing a masters degree in social work at Fordham University.
Lilja Owsley (Performer) is an actor, producer and theater maker living in Brooklyn, New York. After earning a BFA from Stella Adler studio, Lilja now spends her days as a Development Assistant at Elevator Repair Service and nights performing in independent projects collaborating with theater companies such as “Theater of War,” “The Art House,” and “Fringe and Fur.” She aspires to create inclusive, challenging, and humanistic theatre. www.liljaowsley.com
Dena Kopolovich (Video Designer/Cinematography/Animation) (b. New York, 1991) is a media maker currently living in Queens, NY. Her multidisciplinary approach spans theater, film, and video installation. Motivated by gesture and imagery, her work investigates meaning through media and its impact on the subtle body. She is interested in fleshing out the fleeting mind through art, and the relationship between emotions and terrestrial experience. Dena is a graduate of Purchase College and a current MFA candidate at Hunter College.
Cara Cincione (Stage Manager) Is a graduate of SUNY Purchase College with a BA in Theatre & Performance and Arts Management originally from Columbus, Ohio. At Purchase College, Cara produced many theatrical productions in collaboration with organizations such as My Sister’s Place, Standing Rock, and Center Lane. Her work as a arts manager has focused primarily on creating and facilitating safe and inclusive spaces for performers and audiences alike. Some of her stage management and production credits include Recipe for a Sellout, Stork: A Four Loko Play, Nomad Motel (Atlantic Theater Company), Immigrants: We Are Them, They are Us, Angels in America (New York City Opera), and All the Great Books Abridged (Actors Theatre of Columbus).
Emily Greco (Set Designer)is a multi-disciplinary designer currently pursuing an MFA in Interior Design at Pratt Institute. She previously received a BFA in Sculpture and BA in Art History from SUNY Purchase College. She was a fellow of the Art & Law Program at Cornell School of Art, Architecture and Planning, and was an artist fellow of Takt A.I.R. in Berlin, Germany. Emily represented her alma mater at The White House Civic Initiative Kickoff in Washington D.C., and was awarded the Tanaka Memorial Foundation award to travel to the Technos Cultural Exchange Program in Tokyo, Japan. Emily is co-founder of Garret Projects, a Brooklyn-based nucleus for curatorial projects in the visual arts, and has coordinated numerous exhibitions in New York and abroad.
Evan Cook (Sound Design) has previously designed sound for Adventure Theatre-MTC, Mosaic Theater, Theater J, Theater Alliance, The Hub Theatre, Pointless Theatre, and Catholic University. He was recently the associate sound designer on Atlantic Theater Company’s productions of The Revolutionists and The Skin of Our Teeth. Hear more, including original music, at www.evancook.audio.
Luke Weber (Assistant Video Design) Luke is extremely grateful to be a part of this production. The people have been incredibly welcoming and he feels fortunate to have contributed to something special. He would like to thank Genee for bringing him on board, Dena for letting him help out and the rest of the cast and crew for putting up with him. You have all been amazing collaborators! In his spare time, Luke is a writer/director for plays, screenplays and films. He always hopes people like his work and if they don’t, it is never for a “lack of effort.”
Emma McManus (Board Operator) Emma works freelance as a editor, programmer, and electrician, and has worked in various theaters around the city including 59E59th and The Kraine. She currently is attending Brooklyn College for a BFA in lighting design and screenwriting. Thank you to the cast and crew for the opportunity to work on this amazing show!